SALEHVISUALS — REEL
00:00:00:00
Sweden (CET) — Remote, worldwide info@salehvisuals.com Svenska

SalehVisuals®

Video Editor |
Colorist | Filmmaker

Editing

Send the raw footage. Get back a video that's ready to post, pitch or publish.

Color Grading

One consistent, cinematic look — even when the cameras didn't match.

Editing & Assembly Color Grading Multi-cam & Audio Sync Audio Post-Production Motion Graphics
(001 — About)
13+

Years editing, grading and finishing video for brands and events.

Thirteen years of turning raw footage into videos people actually watch to the end. You send what you shot, I handle the edit, sound and grade — and you get a finished piece, on time: ready for any screen, the day it lands.

01
Based
Sweden (CET) — working remotely with clients worldwide
02
Specialty
Brand films, commercial work, events & social content
03
How it works
Fixed price per project or per month, two revision rounds, quote within two days
04
Availability
Open for freelance and contract projects
(002 — Selected Work)

Recent Work

2026
Highlight Reel
Highlight Reel

Summer Highlights

CategoryHighlight Reel
Year2026
FormatColor Graded 4K

A season behind the camera, cut down to the moments worth rewatching.

View Project
2026
Cinematic Short
Cinematic Short

Eid Al-Adha

CategoryCinematic Short
Year2026
FormatColor Graded 4K

The 2026 Eid Al-Adha celebrations, shot and graded to feel as warm as the day itself.

View Project
2024
Automotive Brand Film
Automotive Brand Film

Polestar 4

CategoryAutomotive Brand Film
Year2024
FormatColor Graded 4K

A promo short for the Polestar 4 — graded to keep the focus on the drive, not the effects.

View Project
2025
Track Day Film
Track Day Film

Mantorp Park

CategoryTrack Day Film
Year2025
FormatColor Graded 4K

A full day of track action, cut and graded to capture the speed of the circuit.

View Project
2025
Commercial
DGT Wrap & Detailing

Full Car Detailing

CategoryCommercial
Year2025
FormatColor Graded 4K

A full detailing job for DGT Wrap & Detailing, from first rinse to final gloss.

View Project
(003 — Capabilities)

Services

01

Editing & Footage Handling

Send the raw footage. I find the story and deliver a cut that's ready to publish.

Brand FilmsCommercial WorkEventsSocial Content
Editing and footage handling clip
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02

Color Grading

A consistent, cinematic look across every shot, even when the cameras didn't match.

Color CorrectionCreative LooksShot MatchingSkin Tones
Color grading clip
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03

Audio Post-Production

Clean dialogue, balanced levels and the right music. Half of what makes video feel professional.

Audio CleanupMusic SelectionSFX
Audio post-production clip
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04

Motion Graphics

Titles and graphics that match your brand. Clean, never flashy.

TitlesLower ThirdsGraphics Animation
Motion graphics clip
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(004 — The Grade)

Power of Grading

Drag the handle. Left is straight out of camera, right is the same shot after the grade. That's the difference between footage and a film.

(005 — FAQ)

Common questions

What kind of projects do you usually take on?

Brand films, commercials, event coverage and social content — anything where raw footage needs to become something you're proud to publish, delivered in 16:9, 9:16 or 1:1 depending on where it's going. I keep my calendar limited each quarter so every project gets proper attention.

What's your usual turnaround time?

Most short brand and event videos are delivered within 1–2 weeks of receiving the footage. Bigger projects get a clear timeline upfront, so you always know when the first cut and the final are coming.

How does pricing usually work?

It depends on the kind of work. A one-off project gets a fixed price, agreed before I start — no hourly surprises. If you need me on a regular basis, like a set number of videos every month, we agree a fixed monthly rate instead. Tell me about the footage, the length and where it'll be published, and you'll have a quote within two days.

How many revisions are included?

Two rounds of revisions are included with every video, whether it's a one-off project or part of a monthly plan. That's usually plenty to get from first cut to final. If you need more, we'll agree on it before any extra work starts.

How does working together remotely look?

You share the footage through a drive or transfer link, and I send each cut back as a private link you can watch and comment on. I'm in Sweden (CET), so my day overlaps fully with Europe and the morning in the US — you won't wait long for a reply.

(006 — Contact)

Tell me what you're shooting — or what's been sitting on a drive waiting to be cut. You'll hear back within two days with ideas and a quote. Open for freelance and contract work.