Summer Highlights
A season behind the camera, cut down to the moments worth rewatching.
Send the raw footage. Get back a video that's ready to post, pitch or publish.
One consistent, cinematic look — even when the cameras didn't match.
Years editing, grading and finishing video for brands and events.
Thirteen years of turning raw footage into videos people actually watch to the end. You send what you shot, I handle the edit, sound and grade — and you get a finished piece, on time: ready for any screen, the day it lands.
A season behind the camera, cut down to the moments worth rewatching.
The 2026 Eid Al-Adha celebrations, shot and graded to feel as warm as the day itself.
A promo short for the Polestar 4 — graded to keep the focus on the drive, not the effects.
A full day of track action, cut and graded to capture the speed of the circuit.
A full detailing job for DGT Wrap & Detailing, from first rinse to final gloss.
Send the raw footage. I find the story and deliver a cut that's ready to publish.
A consistent, cinematic look across every shot, even when the cameras didn't match.
Clean dialogue, balanced levels and the right music. Half of what makes video feel professional.
Titles and graphics that match your brand. Clean, never flashy.
Drag the handle. Left is straight out of camera, right is the same shot after the grade. That's the difference between footage and a film.
Brand films, commercials, event coverage and social content — anything where raw footage needs to become something you're proud to publish, delivered in 16:9, 9:16 or 1:1 depending on where it's going. I keep my calendar limited each quarter so every project gets proper attention.
Most short brand and event videos are delivered within 1–2 weeks of receiving the footage. Bigger projects get a clear timeline upfront, so you always know when the first cut and the final are coming.
It depends on the kind of work. A one-off project gets a fixed price, agreed before I start — no hourly surprises. If you need me on a regular basis, like a set number of videos every month, we agree a fixed monthly rate instead. Tell me about the footage, the length and where it'll be published, and you'll have a quote within two days.
Two rounds of revisions are included with every video, whether it's a one-off project or part of a monthly plan. That's usually plenty to get from first cut to final. If you need more, we'll agree on it before any extra work starts.
You share the footage through a drive or transfer link, and I send each cut back as a private link you can watch and comment on. I'm in Sweden (CET), so my day overlaps fully with Europe and the morning in the US — you won't wait long for a reply.
Tell me what you're shooting — or what's been sitting on a drive waiting to be cut. You'll hear back within two days with ideas and a quote. Open for freelance and contract work.